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The poem has been set to music by many composers and musical groups, including Thomas Dunhill (1904), John Tavener (1983), Z. Randall Stroope (1984), Dave Stewart and Barbara Gaskin (1991), Virginia Astley (1996), Claire Roche (1998), Richard B. Evans (1999), Howard Skempton (2004), North Sea Radio Orchestra (2006), Tosca (2009), Alan Bullard (2010), and Tiny Ruins and Hamish Kilgour (2015).
All pages with titles containing Tread softly; Soft Tread Enterprises, an Australian production company "Speak softly and carry a big stick", American President Theodore Roosevelt’s foreign policy; Tread Softly in This Place, a 1972 novel by Brian Cleeve "Tread softly because you tread on my dreams", a line from Yeats' poem "Aedh Wishes for ...
His book, Tread Softly for You Tread on My Jokes (1966), though acerbic in its wit, revealed a serious view of life. The title is an allusion to the last line of the poem Aedh Wishes for the Cloths of Heaven by William Butler Yeats: "Tread softly because you tread on my dreams."
Tread softly is a composition for orchestra by the American composer Nina C. Young.The work was commissioned by the New York Philharmonic as the first part of their "Project 19," an initiative commissioning new works by 19 female composers in honor of the centennial of the ratification of the Nineteenth Amendment to the United States Constitution.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
Tread Softly is a 1952 British second feature ('B') [3] crime film with musical overtones, directed by David MacDonald and starring Frances Day, Patricia Dainton and John Bentley. [4] [5] It was written by Gerald Verner based on his novel The Show Must Go On. A chorus girl investigates a series of mysterious happenings at a derelict theatre.
The organ accompaniment rests on a pattern of chords held often for a full measure in the left hand, and broken chords in eighth-notes in the right hand. The choir voices enter together, with the lower voices also moving slowly like the left hand (a full measure for "Deep", another one for "peace"), while the soprano pronounces "peace" sooner ...