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It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
In the song, the narrator moves with his/her lover to Los Angeles, 1,600 miles away from their home, in search of success, but the lover abruptly leaves.The narrator is then left to fend for him/herself, eventually working in a menial job "sweeping out a warehouse in West L.A." but eventually concludes it is all right because he/she still has "two more bottles of wine".
Bill Wurtz (often stylized in all lowercase) is an American musician, singer-songwriter, video producer, animator, and internet personality.He is known for his distinctive style of music involving deadpan delivery and singing, as well as his animated music videos, which often include surrealist and psychedelic graphics.
Vine's musical talents, aside from the comedy songs in his act, include playing the guitar, bass, piano and drums. He occasionally plays the drums at his church. He was in several bands, including alongside his brother Jeremy in The Flared Generation, which Smash Hits magazine described as "the most unfashionable punk band in the country.
The Piano Sonata No. 1 of Carl Vine was composed in 1990 and dedicated to Australian pianist Michael Kieran Harvey, who made the debut recording of the sonata under the Tall Poppies label in 1991. [1]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
The song has been described as "[inhabiting] that late-night hades, the club where you can't find a waitress, 'even with a Geiger counter'; where 'the spotlight looks like a prison break' and the owner has 'the IQ of a fence post.'" [2] The song's full title includes a reference to Pete King, co-founder and club director of Ronnie Scott's Jazz ...
"Afterglow" is a straightforward and concise love song, and an important development in the group's career, as it proved to them they could write short songs that they still liked. [8] In contrast to the amount of time it took Banks to develop "One for the Vine", he wrote "Afterglow" "just about in the time it took to play it". [ 29 ]
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