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Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913–2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100 ...
Vivace; Un poco adagio; Rondo all'Ungarese; The first and second movements contain cadenzas. The original scores of this cadenza, handwritten by Haydn, have survived. The work is scored for solo keyboard and an orchestra consisting of two oboes, two horns in D, and strings. Nowadays, it mostly is played on piano.
The second movement is usually written in a slow tempo, ... Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace.
Vivace is a musical tempo marking. Vivace may also refer to: VIVACE, an alternative name for Vortex power, a form of hydro power. USS Vivace (SP-583), a United States Navy ship. Vivace, a US aerospace company, competed for NASA's Human Landing System
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
Don't Mess Up My Tempo (stylized in all caps) is the fifth studio album by South Korean boy band Exo.It was released on November 2, 2018, by SM Entertainment. [3] Member Lay is featured in the Chinese version of lead track, "Tempo", marking his first appearance with the group since Winter EP, For Life (2016). [3]
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...