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The Keystone View Company was a major distributor of stereographic images, and was located in Meadville, Pennsylvania.From 1892 through 1963 Keystone produced and distributed both educational and comic/sentimental stereoviews, and stereoscopes.
The belt can usually hold 50 paper card or glass stereoviews, but there are also large floor standing models for 100 or 200 views. A more advanced multiple view stereoscope is only intended for glass slides and was especially popular in France, as the printing of stereo images on glass was a French specialty and popular until the 1930s.
At one time, Underwood & Underwood was the largest publisher of stereoviews (also known as stereographs or stereoscopic cards), in the world, producing 10 million views a year. The Underwood brothers developed a selling system of thorough canvassing using college students.
Tru-Vue Chicagoland model 3D viewer with package and black&white films A Tru-Vue viewer and film cards from 1953, by which time the company had relocated to Oregon and become a subsidiary of Sawyer's.
The View-Master was marketed through Mayer's photo-finishing, postcard and greeting card company Sawyer's Service, Inc., known eventually as Sawyer's, Inc. The partnership led to the retail sales of View-Master viewers and reels. The patent for the viewing device was issued in 1940, and this original model came to be called the Model A viewer.
Photographs, stereo cards, postcards, novelties [1] The London Stereoscopic and Photographic Company was founded in 1854 by George Swan Nottage and Howard John Kennard (the son of Robert Kennard [ 2 ] and grandfather of Jean Orr-Ewing [ 3 ] ). [ 4 ]
Raumbild-Verlag ("Raumbild") was a German publishing outfit which focused exclusively on stereoscopic imagery, usually accompanied by expository text. Founded in Dießen in the 1930s by Otto Wilhelm Schönstein (1891–1958), Raumbild produced 6x13cm photographic stereo pairs designed to be used with the proprietary fold-out "Photoplastikon" viewer produced for the company, some of which ...
Stereo cameras were in the mix. The earliest were inconveniently large and the result was a pair of paper prints mounted on a card for viewing in a standard stereoscope. They were soon joined by smaller cameras that yielded relatively small stereo slides on glass.
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