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Alban Maria Johannes Berg (/ b ɛər ɡ / BAIRG, [1] German: [ˈalbaːn ˈbɛʁk]; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique . [ 2 ]
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
Prime, retrograde, inverse, and retrograde-inverse permutations. The Second Viennese School (German: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna.
Initial thematic statement of the tone row, mm. 2–4, cyclically permuted to begin on E ♭ in mm. 7–9 [2]. As Berg's friend and fellow Schoenberg pupil Erwin Stein wrote in the preface to the score, "[t]he work (Ist and VIth part, the main part of the IIIrd and the middle section of the Vth) has been mostly written strictly in accordance with Schoenberg's technique of the 'Composition with ...
Sketch of Alban Berg by Emil Stumpp. The following is an incomplete list of the compositions of Alban Berg: Jugendlieder (1), composed 1901–4, voice and piano, published 1985 [1] "Herbstgefühl" (Siegfried Fleischer) "Spielleute" (Henrik Ibsen) "Wo der Goldregen steht" (F. Lorenz) "Lied der Schiffermädels" (Otto Julius Bierbaum)
The compositional development then leads on to the twelve-tone technique, which also designates a compositional technique and not a style. It should not be overlooked that Schoenberg and Berg also developed a number of intersections with neoclassicism – mainly on the level of form and less in terms of composition and adopted stylistic elements.
Klein was born in Budapest.He was a student of Alban Berg and the inventor of the all-interval twelve-tone row. [1] He studied with Schoenberg from 1917 to 1918, with Berg from 1918 to 1924, and prepared the piano-vocal score for Berg's Wozzeck and the piano score of Berg's Chamber Concerto.
The Seven Early Songs (Sieben frühe Lieder) (c. 1905 – 1908), are early compositions of Alban Berg, written while he was under the tutelage of Arnold Schoenberg.They are an interesting synthesis combining Berg's heritage of pre-Schoenberg song writing with the rigour and undeniable influence of Schoenberg.