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Pompeii (/ p ɒ m ˈ p eɪ (i)/ ⓘ pom-PAY(-ee), Latin: [pɔmˈpei̯.iː]) was a city in what is now the municipality of Pompei, near Naples, in the Campania region of Italy.Along with Herculaneum, Stabiae, and many surrounding villas, the city was buried under 4 to 6 m (13 to 20 ft) of volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD.
Pompei (Italian:; Neapolitan: Pumpeje [pumˈbɛːjə]), in English also Pompeii (/ p ɒ m ˈ p eɪ (i)/ pom-PAY(-ee), as in the name of the ancient city) is a city and commune in the Metropolitan City of Naples, Italy, home of the ancient Roman ruins of Pompeii that are part of the UNESCO World Heritage Sites.
The Amphitheatre of Pompeii is one of the oldest surviving Roman amphitheatres. It is located in the ancient city of Pompeii, near Naples, and was buried by the eruption of Mount Vesuvius in 79 AD, that also buried the city of Pompeii and the neighbouring town of Herculaneum. Six bodies were found during the excavations. [2]
The Stabian Baths are an ancient Roman bathing complex in Pompeii, Italy, the oldest and the largest of the five public baths in the city.Their original construction dates back to c. 125 BC, making them one of the oldest bathing complexes known from the ancient world.
The House of the Centenary (Italian Casa del Centenario, also known as the House of the Centenarian) was the house of a wealthy resident of Pompeii, preserved by the eruption of Mount Vesuvius in 79 AD. The house was discovered in 1879, [1] and was given its modern name to mark the 18th centenary of the disaster. [2]
Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Around 2 BC, the theatre was renovated and presented to the city of Pompeii as a gift by two relatives, M. Holconius Rufus and M. Holconius Celer, according to an inscription in the theatre. Both of these men were wealthy politicians, and acting as benefactors for the renovation would have helped advance their political ambitions in the city.
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