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The Musée d'Orsay (UK: / ˌ m juː z eɪ d ɔːr ˈ s eɪ / MEW-zay dor-SAY, US: / m juː ˈ z eɪ-/ mew-ZAY-, French: [myze dɔʁsɛ]) (English: Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900.
In 2010 the Orangerie and the Musée d’Orsay were linked administratively under the Établissement public des musées d'Orsay et de l'Orangerie – Valéry Giscard d'Estaing (EPMO). On occasion, the Orangerie still hosts dance and piano concerts and other events in the restored Water Lillies gallery.
The Apparition (Moreau, Musée d'Orsay) Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City; Arab Horses Fighting in a Stable; Arearea; L'Arlésienne (painting) Around the Piano; The Artist's Garden at Giverny; Avenue of Poplars near Moret-sur-Loing
This group portrait therefore presents the poets that attended the dinners held at the Vilains Bonshommes, which Edmond Maître had presented to Fantin-Latour. Absent is Albert Mérat, who refused to pose with Rimbaud after an incident that occurred during the dinner of March 2, 1872, when the young poet allegedely interrupted a reading of Jean Aicard and forced the poets to take him out by force.
The Oreads (French: Les Oréades) is an oil painting by the French artist William-Adolphe Bouguereau, painted in 1902. Its dimensions are 236 × 182 cm. [ citation needed ] In 2009 the descendants of the artist donated the artwork to the Musée d'Orsay in Paris , where it is now exhibited.
The Gare d'Orsay (French: [ɡaʁ dɔʁsɛ]) is a former Paris railway station and hotel, built in 1900 to designs by Victor Laloux, Lucien Magne and Émile Bénard; it served as a terminus for the Chemin de Fer de Paris à Orléans (Paris–Orléans railway).
The Truth is an 1870 oil-on-canvas painting by the French painter Jules Joseph Lefebvre.It is in the Musée d'Orsay, in Paris, since 1982. [1]The Truth was exhibited during the 1870 Salon and was bought by the French state in 1871.
The Talisman inspired a series of paintings by the Nabis, following the same principles that Gauguin had expressed to Sérusier. Maurice Denis cited the Talisman in his famous 1914 essay, New Theories of Modern Art and on Sacred Art: "Remember that a painting, before it is a horse in battle, a nude woman or a sort of anecdote, is essentially a flat surface covered with colors assembled in a ...
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