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This is an accepted version of this page This is the latest accepted revision, reviewed on 2 February 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
One hundred and eighty years after Manifest Destiny had its vogue, Trump is back with a new version that goes north and south rather than east to west. The original idea, though, dated far before ...
Adams’ treaty “was a crucial step in fulfilling America’s Manifest Destiny,” expanding U.S. territory for the first time from the Atlantic to the Pacific oceans, American History Central ...
The Frontier Thesis, also known as Turner's Thesis or American frontierism, is the argument by historian Frederick Jackson Turner in 1893 that the settlement and colonization of the rugged American frontier was decisive in forming the culture of American democracy and distinguishing it from European nations.
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
Westward the Course of Empire Takes Its Way (also known as Westward Ho) is a 20-by-30-foot (6.1 m × 9.1 m) painted mural displayed behind the western staircase of the House of Representatives chamber in the United States Capitol Building.
"The White Man's Burden" was first published in The New York Sun on February 1, 1899 and in The Times (London) on February 4, 1899. [7] On 7 February 1899, during senatorial debate to decide if the US should retain control of the Philippine Islands and the ten million Filipinos conquered from the Spanish Empire, Senator Benjamin Tillman read aloud the first, the fourth, and the fifth stanzas ...
The Ostend Manifesto proposed a shift in foreign policy, justifying the use of force to seize Cuba in the name of national security. It resulted from debates over slavery in the United States, manifest destiny, and the Monroe Doctrine, as slaveholders sought new territory for the expansion of slavery.