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The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole.
The Nocturne in D-flat major, referred to as Nocturne No. 8 in the context of the complete set of Chopin's Nocturnes, is one of Chopin's more popular compositions. It is initially marked as lento sostenuto and is in 6 8 meter. It consists of two strophes, repeated in increasingly complex variations. The piece is 77 measures long.
The Nocturne Op. 9 No. 2, in E flat major, performed by Mischa Elman and Percy B. Kahn, Victor 12" Red Seal (Classical) 74052, single-sided disc ... Frédéric Chopin ...
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The Nocturnes, Op. 32 is a set of two nocturnes for solo piano written and published by Frédéric Chopin in 1837. [ 1 ] [ 2 ] The nocturnes are dedicated to Madame Camile de Billing, [ 2 ] and were his ninth and tenth nocturnes published.
The Nocturnes, Op. 15 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1830 and 1833. The work was published in January 1834, and was dedicated to Ferdinand Hiller. [1] These nocturnes display a more personal approach to the nocturne form than that of the earlier Opus 9. The melodies and emotional depth of these ...