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Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
The violin was the subject of the 2017 documentary Strad Style, in which director Stefan Avalos follows manic-depressive violin maker Daniel Houck in his dilapidated rural Ohio farm as he makes an Il Cannone replica for Razvan Stoica. [6]
The famous Canon in D belongs to this genre, as it was originally scored for 3 violins and a basso continuo, and paired with a gigue in the same key. The canon shares an important quality with the chaconne and passacaglia : it consists of a ground bass over which the violins play a three-voice canon based on a simple theme, the violins' parts ...
[11] The harmony of "Goodbye to Romance" features slight deviations from that of Pachelbel's Canon, including "modifying the I-V (D-A) chord change in bars 1 and 2 with an I-iii (D F#m) chord change in bars 1 and 2 of the verse", with the resulting effect, Heritage argues, better suits "the melancholic subtext of the accompanying lyrics."
This page was last edited on 9 May 2007, at 15:52 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply ...
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In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and