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The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. It had a straight body, an open bell, and two keys.
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore.Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the alto member of the family, and the oboe d'amore—pitched between the two in the key of A—as the mezzo-soprano member. [5]
The members of the oboe family from top: heckelphone, bass oboe, cor anglais, oboe d'amore, oboe, and piccolo oboe The standard oboe has several siblings of various sizes and playing ranges. The most widely known and used today is the cor anglais (English horn) the tenor (or alto) member of the family.
The oboe d'amore (Italian for 'love oboe'; (pronounced [ˈɔːboe daˈmoːre]), less commonly hautbois d'amour (French: [obwɑ damuʁ]), is a double reed woodwind musical instrument in the oboe family. [1] Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the mezzo-soprano of the oboe ...
An oboe quintet is a chamber music group of five individuals led by an oboist, or music written for this ensemble. Usually an oboe quintet consists of an oboe and string quartet . Pieces for five oboes or five members of the oboe family are uncommon (only two are listed below): double reed quintets are not only rare but almost always include a ...
The priority of the oboe version is supported by Mozart's letters, as well as various evidence from the music itself. For example, according to Einstein in his Mozart: His Character, His Work and Paumgartner in his Mozart-Jahrbuch , the violins in the D major version never go below the A on the G string, suggesting that C major was the original ...
Ten Blake Songs is a song cycle for tenor or soprano voice and oboe composed over the Christmas period of 1957 by Ralph Vaughan Williams (1872–1958), for the 1958 film The Vision of William Blake by Guy Brenton for Morse Films. [1]