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Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
It Had to Be You: The Great American Songbook is the first album of American pop standards recorded by British musician Rod Stewart, and his 20th album overall. It was released on 22 October 2002, and became the first in a five-volume series. The album was Stewart's first release for Sony Music imprint J Records. It included his second ...
"Manhattan" is a popular song and part of the Great American Songbook. It has been performed by the Supremes, Lee Wiley, Oscar Peterson, Blossom Dearie, Tony Martin, Dinah Washington, Ella Fitzgerald, and Mel Torme, among many others. It is often known as "We'll Have Manhattan" based on the opening line.
"Isn't It Romantic?" is a popular song and part of the Great American Songbook. The music was composed by Richard Rodgers, with lyrics by Lorenz Hart. It has a 32-bar chorus in A–B–A–C form. Alec Wilder, in his book American Popular Song: The Great Innovators 1900–1950, calls it "a perfect song." [1]
Sheet music cover "A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the Ziegfeld Follies.The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard.
"You Don't Know What Love Is" is a popular song of the Great American Songbook, written by Don Raye (lyrics) and Gene de Paul (music) for the Abbott and Costello film Keep 'Em Flying (1941), in which it was sung by Carol Bruce. [1] The song was deleted from the film prior to release. [1]
"Ev'ry Time We Say Goodbye" is a popular jazz song with lyrics and music by Cole Porter. Part of the Great American Songbook, it was published by Chappell & Company and introduced by Nan Wynn and Jere McMahon in 1944 in Billy Rose's musical revue Seven Lively Arts.
The song is part of the Great American Songbook, and Alec Wilder included it in his book American Popular Song: The Great Innovators, 1900–1950, even though it was composed two years after that period. Wilder gave two reasons for making this exception: (1) "it is one of the last free-flowing, native, and natural melodies in the grand pop ...