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Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later.
Olivier Eugène Prosper Charles Messiaen (UK: / ˈ m ɛ s i æ̃ /, [1] US: / m ɛ ˈ s j æ̃, m eɪ ˈ s j æ̃, m ɛ ˈ s j ɒ̃ /; [2] [3] [4] French: [ɔlivje øʒɛn pʁɔspɛʁ ʃaʁl mɛsjɑ̃]; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist.
An arrangement, by an anonymous composer, of music from Handel's opera Rodrigo. 44 Comus: June 1745 Ludlow Castle, Shropshire Three songs and a trio written as part of a private arrangement of John Milton's masque Comus. [2] 45 Alceste: Not performed A masque which was written for an unproduced play by Tobias Smollett. Music composed between ...
Several works by the French composer Félix-Alexandre Guilmant use Handel's themes; for example, his March on a Theme by Handel uses a theme from Messiah. French composer and flautist Philippe Gaubert wrote his Petite marche for flute and piano based on the fourth movement of Handel's Trio Sonata, Op. 5, No. 2, HWV 397.
George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.
"The prophecy and realisation of God's plan to redeem mankind by the coming of the Messiah" Scene 1: "Isaiah's prophecy of salvation" (movements 2–4) Scene 2: "The prophecy of the coming of Messiah and the question, despite (1), of what this may portend for the World" (movements 5–7) Scene 3: "The prophecy of the Virgin Birth" (movements 8 ...
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Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.