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Extracts from the Essai were mandatory reading in German schools under the Third Reich. [80] Gobineau's fundamental pessimism with the best days of the Aryans long gone was of little use to völkisch ("ethnic") thinkers. Several of them such as Houston Stewart Chamberlain did borrow Gobineau's idea about an Aryan master race. [81]
The distinction was not restricted to noble subjects of the Emperor; for example, a number of high officials in the imperial courts and the chancery were immediate, whether noble or not. Arising from the feudal connection between tenure of land and jurisdiction, the status of immediate subject was further distinct from that of a state of the ...
2 (English for French, Swahili, Italian, Greek, German, Turkish, Arabic, and Spanish, and Spanish for English) online: free Dexway 8: 12 subscription Schaum's Outlines: 6: 1 (English) physical media: Lonely Planet: 6: 1 (English) physical media: Living Tongues Institute for Endangered Languages: 6: 1 (English) free Alison: 6: 1 (English) free ...
Paul von Heyse (1830–1914) Germany: German "as a tribute to the consummate artistry, permeated with idealism, which he has demonstrated during his long productive career as a lyric poet, dramatist, novelist and writer of world-renowned short stories" [17] poetry, drama, novel, short story 1911: Maurice Maeterlinck (1862–1949) Belgium: French
Paul Johann Ludwig von Heyse (German: [paʊl ˈhaɪzə] ⓘ; 15 March 1830 – 2 April 1914) was a German writer and translator. A member of two important literary societies, the Tunnel über der Spree in Berlin and Die Krokodile in Munich, he wrote novels, poetry, 177 short stories, and about sixty dramas.
Wolfgang Paul was born on 10 August 1913 in Lorenzkirch, Germany.He grew up in Munich where his father was a professor of pharmaceutical chemistry.After the first few years at the Technical University of Munich, he changed to Technische Universität Berlin in 1934 where he finished his Diploma in 1937 at the group of Hans Geiger.
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The Myth of the Eastern Front: The Nazi–Soviet War in American Popular Culture (2008) by Ronald Smelser and Edward J. Davies, is a historical analysis of the post-war myth of the "Clean Wehrmacht", the negative impact of the Wehrmacht and the Waffen-SS mythologies in popular culture, and the effects of historical negationism upon cultural perceptions of the Eastern Front of the Second World War.