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Sony TC-50 cassette tape recorder on display at the Houston Space Center NASA furnished every astronaut with a Sony TC-50 from Apollo 7 in 1968 onward. [ 1 ] Procured to facilitate the recording of personal mission logs, negating the need for additional paper work, the TC-50 was also used by astronauts to play their favorite mixtapes in the ...
Digital8 machines run tape at 29 mm per second, faster than baseline DV (19 mm/s) and comparable to professional DV formats like DVCAM (28 mm/s) and DVCPRO (34 mm/s). A 120-minute 8-mm cassette holds 106 m of tape and can store 60 minutes of digital video. A standard DVCPRO cassette holds 137 m of tape, good for 66 minutes of video.
D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, [1] [2] along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette).
On Sony's machines, this automatically selects 70 μs equalisation. The service manual for the Sony TC-135SD, which was one of the few cassette decks offering a 'Fe-Cr' position, shows the tape type selector switch paralleling the ferrichrome equalisation selection with that of chrome dioxide (70 μs). [75]
NT cassette compared to various memory cards. The system was an R-DAT based system which stored memos using helical scan on special microcassettes, which were 30 mm × 21.5 mm × 5 mm with a tape width of 2.5 mm, with a recording capacity of up to 120 minutes similar to Digital Audio Tape.
The first Sony camcorder capable of recording to standard 8mm videotape was the Sony CCD-V8, with 6x zoom but only manual focus, released in 1985 with an MSRP of approximately $1,175, [8] ($3,329 in 2023) and a mass of 1.97 kg (4 lb 5½ oz). [9] [10] The same year, Sony released the CCD-V8AF which added autofocus. [9]
The Digital Audio Stationary Head or DASH standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods.
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.