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Reach Out is the fourth studio album by the Four Tops, issued on Motown Records in July 1967. The group's biggest-selling studio album, Reach Out includes six of the Four Tops' most successful singles including the US and UK #1 hit "Reach Out I'll Be There", "Standing in the Shadows of Love", "Bernadette" and "7-Rooms of Gloom".
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown 's main production team, Holland–Dozier–Holland , [ 3 ] the song is one of the most widely-known Motown hits of the 1960s and is ...
What the world needs now is love, sweet love — and compassion. In 1966, Four Tops, Motown’s second-greatest male vocal group, after the Temptations, delivered both with their signature hit ...
An additional 21 songs have reached the UK Top 40 with ten reaching the top ten and one reaching number one on the chart. Much of the group's catalog is now controlled by Universal Music Group , as a result of various transactions involving many of the record labels for which the Four Tops recorded for over the years.
August 1966 brought the release of the Four Tops' all-time biggest hit and one of the most popular Motown songs ever. "Reach Out I'll Be There" reached number 1 on the U.S. pop and R&B charts [4] and the UK chart and soon became the Tops' signature song. [3]
[2] The song reached #4 on the Billboard Hot 100, #8 on the Cash Box Top 100. [3] On the R&B chart, "Bernadette" went to #3.. [4] It also reached #8 in the UK and was a hit again in 1972, reaching #23. [5] The song is notable for its false ending, where the instruments drop out and the background singers hold a chord.
In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the ...
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