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In popular culture, technological dystopias often are about or depict mass loss of privacy due to technological innovation and social control. They feature heightened socio-political issues like social fragmentation, intensified consumerism, dehumanization, and mass human migrations.
These two criticisms are sometimes referred to as a technological anti-utopian view or a techno-dystopia. According to Ronald Adler and Russell Proctor, mediated communication such as phone calls, instant messaging and text messaging are steps towards a utopian world in which one can easily contact another regardless of time or location.
Cyber-utopianism, web-utopianism, digital utopianism, or utopian internet is a subcategory of technological utopianism and the belief that online communication helps bring about a more decentralized, democratic, and libertarian society.
Change-o!", technological dystopian James Gleick mentions the remote control being the classic example of technology that does not solve the problem "it is meant to solve". Gleick quotes Edward Tenner, a historian of technology, that the ability and ease of switching channels by the remote control serves to increase distraction for the viewer.
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
Internet personality James Charles, who boasted over 40 million followers, called the move "dystopian." Celebrities, influencers, and business leaders reacted to the shutdown of TikTok in the US ...
Dystopian societies appear in many fictional works and artistic representations, particularly in stories set in the future. Famous examples include George Orwell 's Nineteen Eighty-Four (1949), Aldous Huxley 's Brave New World (1932), and Ray Bradbury 's Fahrenheit 451 (1953).
TikTok's design encourages manic performance and a false sense of intimacy — all of it obscuring the power of its invisible algorithms.