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In popular culture, technological dystopias often are about or depict mass loss of privacy due to technological innovation and social control. They feature heightened socio-political issues like social fragmentation, intensified consumerism, dehumanization, and mass human migrations.
Change-o!", technological dystopian James Gleick mentions the remote control being the classic example of technology that does not solve the problem "it is meant to solve". Gleick quotes Edward Tenner, a historian of technology, that the ability and ease of switching channels by the remote control serves to increase distraction for the viewer.
Technological utopianism is often connected with other discourses presenting technologies as agents of social and cultural change, such as technological determinism or media imaginaries. [ 1 ] A tech-utopia does not disregard any problems that technology may cause, [ 2 ] but strongly believes that technology allows mankind to make social ...
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
The concept of a dystopia is a pillar of thought and art in modern culture, with various kid-friendly dystopias entering our collective mindscapes via middle school English lessons.
Cyber-utopianism, web-utopianism, digital utopianism, or utopian internet is a subcategory of technological utopianism and the belief that online communication helps bring about a more decentralized, democratic, and libertarian society.
Dystopian societies appear in many fictional works and artistic representations, particularly in stories set in the future. Famous examples include George Orwell 's Nineteen Eighty-Four (1949), Aldous Huxley 's Brave New World (1932), and Ray Bradbury 's Fahrenheit 451 (1953).
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