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Monster was released in theaters on March 13, 2014. Writer-director Hwang In-ho experimented by combining thriller and comedy elements and pushing genre conventions to their extremes with strong stylistic overtones, but some reviews called the film "awkward," "unharmonious" and "almost schizophrenic" as a result, while others criticized a perceived misogyny beneath the film's ostensible ...
Full House (Korean: 풀하우스; RR: Pul-hauseu) is a 2004 South Korean television series starring Rain, Song Hye-kyo, Han Eun-jung and Kim Sung-soo.Based on the manhwa Full House by Won Soo-yeon, the romantic comedy series aired on KBS2 on Monday and Friday at 21:50 for 16 episodes from July 14 to September 2, 2004.
South Korean analyst Kim Bong-seok noted: "The recent Godzilla film was a box office failure, and the tastes of young audiences are changing. In addition, the audience base of Korean movies that have gained popularity due to the Korean Wave so far is different from the audience base of monster movies, which seems to have had a negative effect."
This is a list of monster movies, about such creatures as extraterrestrial aliens, giant animals, Kaiju (the Japanese counterpart of giant animals, but they can also be machines and plants), mutants, supernatural creatures, or creatures from folklore, such as Bigfoot or the Loch Ness Monster.
Bob Saget, probably best known as the straight-laced Danny Tanner from "Full House," stopped by the "TODAY" show to talk about his 'dirty' new book. Titled "Dirty Daddy, The Chronicles of a Family ...
Yonggary (Korean: 용가리; RR: Yonggari) is a 1999 English-language South Korean monster film directed by Shim Hyung-rae (credited onscreen also as Hyung Rae Shim) and is a reimagining [5] [6] of the character Yonggary, originating from the 1967 film Yongary, Monster from the Deep.
The documentary Monster Inside: America's Most Extreme Haunted House examines McKamey Manor, an extreme attraction designed to psychologically and physically torture participants with their consent.
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror.