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For this group, every scale standardly used in common practice music and much similar later music is either diatonic (the major, and all forms [n] of the minor) or chromatic. [o] "Mixed" usage; Still other writers mix these two meanings of diatonic (and conversely for chromatic), and this can lead to confusions and misconceptions. Sometimes ...
For example, playing an Irish reel might be easier on a B/C system diatonic than on a piano-accordion, and a Swiss Schottisch or Ländler might be easier to play on a Schwyzerörgeli than on a piano or even a chromatic due to the chordal/arpeggio phrases that fall naturally on the buttons that are arranged thus.
Chromatic button accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down ...
One popular type of diatonic button accordion is the standard, one-row button accordion. This is tuned to a diatonic, 2.5 octave scale. The accompaniment side (bass/chordal side) buttons play a tonic chord when pushed, and dominant chord when pulled. This works well and is popular in basic Anglo-American fiddle tunes. [2] The German melodeon ...
Accordion, Chromatic button accordion, Bayan, Diatonic button accordion, Piano accordion, Stradella bass system, Free-bass system, Accordion reed ranks and switches The bayan (Russian: бая́н , IPA: [bɐˈjan] ) is a type of chromatic button accordion developed in the Russian Empire in the early 20th century and named after the 11th-century ...
Despite efforts by accordion performers and organizations to present the accordion as a serious instrument to the classical music world, the much-coveted breakthrough into the mainstream of serious musical circles did not take place until after leading accordionists more or less abandoned the stradella-bass accordion (an instrument limited to ...
The chromatic expansion of tonality which characterizes much of nineteenth century music is illustrated in miniature by the substitution of a chromatic harmony for an expected diatonic harmony. This technique resembles the deceptive cadence , which involves the substitution of another diatonic chord for the expected diatonic goal harmony.
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...