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Over time, venus came to refer to any artistic depiction in post-classical art of a nude woman, even when there was no indication that the subject was the goddess. The Birth of Venus, by Sandro Botticelli c. 1485 –1486. Venus, Mars, and Vulcan, by Tintoretto. The Birth of Venus (c. 1485) Sleeping Venus (c. 1501) Venus of Urbino (1538)
The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in
Depicts the goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore. The seashell she stands on was a symbol in classical antiquity for a woman's vulva. Thought to be based in part on the Venus de' Medici, an ancient Greek marble sculpture of Aphrodite.
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The Birth of Venus or Venus Rising (The Star) [2] (French: La Naissance de Vénus; Vénus — l'étoile) is an 1890 painting by Jean-Léon Gérôme. It depicts the mythological birth of Venus from the sea. Sold at auction in 1991, [3] it is currently in a private collection.
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
At the Salon of 1863, The Birth of Venus was one of a multitude of female nudes. Bathed in opalescent colors, the goddess Venus shyly looks to the viewer from beneath the crook of her elbow. Two years later, Manet presented his now renowned painting Olympia at the Salon as well. Today both are in the collection of the Musée d’ Orsay.
The name was first used in the mid-nineteenth century by the Marquis de Vibraye, who discovered an ivory figurine and named it La Vénus impudique or Venus Impudica ("immodest Venus"). [10] The Marquis then contrasted the ivory figurine to the Aphrodite Of Knidos, a Greco-Roman sculpture depicting Venus covering her naked body with both her ...