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"On the Other Hand" is a song written by Paul Overstreet and Don Schlitz, and recorded by American country music artist Randy Travis. It was first released as a single in July 1985, peaking at number 67 in the United States.
The album also included two original songs: "Little Boy Lost", co-written and sung by Daron Norwood, and "A Voice Still Rings True", a multi-artist song. [18] Alison Krauss 's rendition of "When You Say Nothing at All" was released as a single from the album, reaching number 3 on the country charts in 1995.
Other well-known hits of recent years he is known for are "She Thinks My Tractor's Sexy" by Kenny Chesney and "Some Beach" by Blake Shelton, which was a Number One hit in 2004. [4] Overstreet is best known for writing country songs such as "Forever and Ever, Amen" [5] and "On the Other Hand", both of which were Number Ones for Randy Travis.
Randy Travis is an American country music singer. His singles discography comprises 70 singles and 36 music videos.. Although Travis's first two singles, (including two which were credited under his birth name of Randy Traywick), fared poorly, Travis broke through on the country charts in 1985 with the single "1982", his second release for Warner Bros. Records.
On the other hand, the manuscript shows a great deal of attention to details of pitch and pronunciation, which have been taken to indicate authenticity. The researchers Rickford and Handler judged to be Dickson to be "a reliable recorder/interpreter of Black speech" based on his other transcriptions of oral texts.
On the other hand, some artists with long, successful careers have been identified as one-hit wonders by virtue of having reached the Top 40 of the Hot 100 only once. Consequence of Sound editor Matt Melis lists Beck (" Loser ") and the Grateful Dead (" Touch of Grey ") [ 6 ] as "technically" being one-hit wonders despite their large bodies of ...
The song received mixed reviews. One critic predicted that it would be "the only Aerosmith song hoary historians and earnest teen-agers will be playing 100 years from now." [15] On the other hand, Mark Simmons of The Austin American-Statesman called it "low humor" and opined that "the double entendre 'Big Ten Inch' goes deservedly limp." [16]
On the other hand, songs like "Mister Mister", "Country Honey" and "Shock Rock" contained only a few short, simple repeated lines, the most minimal Bolan had ever written in his career. Musically, the album was more lushly produced, with unusual new additions such as mellotron, saxophone, phasing, and prominent piano (played by the French Elton ...