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"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [ 1 ] [ 2 ] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs.
The Pater Noster cord (also spelled Paternoster Cord and called Paternoster beads) is a set of Christian prayer beads used to recite the 150 Psalms, as well as the Lord's Prayer. [ 1 ] [ 2 ] As such, Paternoster cords traditionally consist of 150 beads that are prayed once or 50 beads that are prayed thrice.
Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". [5] The hymn was published in Leipzig in 1539 in Valentin Schumann's hymnal Gesangbuch, [5] with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published ...
In the Byzantine Rite, whenever a priest is officiating, after the Lord's Prayer he intones this augmented form of the doxology, "For thine is the kingdom and the power and the glory: of the Father, and of the Son, and of the Holy Spirit, now and ever, and unto ages of ages.", [k] and in either instance, reciter(s) of the prayer reply "Amen".
"The Lord's Prayer" is a musical setting of the biblical Lord's Prayer, composed by Albert Hay Malotte in 1935, and recorded by many notable singers. According to his New York Times obituary: "Mr. Malotte's musical setting of 'The Lord's Prayer' was the first one that achieved popularity, although the prayer had been set to music many times before."
Another familiar doxology is the one often added at the end of the Lord's Prayer: "For thine is the kingdom, and the power, and the glory, forever and ever, Amen." This is found in manuscripts representative of the Byzantine text of Matthew 6:13, but not in the manuscripts considered by Catholics to be the most reliable. According to Scrivener ...
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
"The Lord's Prayer" is a song written by David Fanshawe for his 1972 choral work African Sanctus. The song was recorded featuring American-Australian singer Marcia Hines and released in March 1988. At the ARIA Music Awards of 1989 , Hines received a nomination for Best Female Artist , losing to Kate Ceberano 's You've Always Got the Blues .