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Padmavati Temple, Tiruchanur. Padmavati (Sanskrit: पद्मावती, lit. 'she of the lotus'), also known as Alamelu Manga or Alar Melu Mangai, [1] [2] [3] is a Hindu goddess and the consort of the deity Venkateshwara, a form of Vishnu.
The goddess Sharada worshipped in Sharada Peeth is a tripartite embodiment of the goddess Shakti: Sharada (goddess of learning), Sarasvati (goddess of knowledge), and Vagdevi (goddess of speech, which articulates power). [92] Kashmiri Pandits believe the shrine to be the abode of the goddess. [12]
Bhumi (Sanskrit: भुमि, romanized: Bhūmi), also known as Bhudevi, Dharani, and Vasundhara is a significant goddess in Hinduism, personifying the Earth. Her earliest form is reflected in the Vedic goddess Prithvi, though their roles and depictions are drastically different. [3] Bhumi features prominently in the Mahabharata and various ...
The Srikula (family of Sri) tradition focuses worship on Devi in the form of the goddess Lalita-Tripura Sundari.Rooted in first-millennium. Srikula became a force in South India no later than the seventh century, and is today the prevalent form of Shaktism practised in South Indian regions such as the Kerala, Tamil Nadu and Tamil areas of Sri Lanka.
The Navadurga, the nine forms of the goddess Durga. The Matrikas, a group of seven mother-goddesses. Meenakshi, a regional form of Parvati. Kamakshi, goddess of love and devotion. Akilandeswari, found in coastal regions of India, is a goddess associated with water. [3] Annapurna, the goddess of nourishment and form of Parvati.
Bhavānī (भवानी, “the giver of existence”).—One of the names of the Goddess, Devī, who is regarded as the female principle of the divine; the embodiment of the energies of the Gods. Bhavānī (भवानी) is an epithet of the Goddess (Devī), who incarnated as Satī, according to the Śivapurāṇa 2.2.14.
Lakshmi Sahasranama of Skanda Purana praises Lakshmi as Mahadevi (she who is the great goddess), Mahamaya (she who is a great illusion), Karaveera Nivasini (The Goddess Who lives in Karaveera/Kolhapur) and Maha Astha Dasa Pithagne (she who has 18 great Shakta pithas).
She is a manifestation of the goddess Parvati, the paredra of Shiva, [2] and is eulogized in the Annada Mangal, a narrative poem in Bengali by Bharatchandra Ray. The Annapurna Sahasranam is dedicated to the goddess and praises her one thousand names, while the Annapurna Shatanama Stotram is dedicated to her 108 names.