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Boogie – 1. a repetitive form of rhythm found in boogie-woogie. 2. a style of funk characterized by a mid-tempo post-disco rhythm, prominent use of slap bass, loud clapping sound, and its new wave melodic chords and synthesizers. Boogie rock – a style of blues rock that fuses rock music with boogie-woogie.
Acid jazz [1] [2] Combined elements of soul music, funk, disco, including looping beats and modal harmony 1980s–1990s Afro-Cuban jazz: It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. 1940s -> Avant-garde jazz: A style of music and improvisation that combines avant-garde art music and composition ...
Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. [ 1 ] [ 2 ] Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan.
Swing – 1. a general "feel" of the rhythm within jazz musicians; 2. a specific rhythm pattern that involves alternately lengthening and shortening the pulse-divisions in a rhythm. Swing music – a danceable form of jazz that places heavy emphasis on both definitions of swing, which is what the form is named after.
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago.The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, [1] an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo Half; used in combinations like mezzo forte (mf), meaning moderately loud mezzo forte (mf) Half loudly (i.e. moderately loudly). See dynamics. mezzo piano (mp) Half softly (i.e. moderately soft). See dynamics. mezzo ...
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Rhythms that begin on a strong pulse are thetic, those beginning on a weak pulse are anacrustic and those beginning after a rest or tied-over note are called initial rest. Endings on a strong pulse are strong, on a weak pulse, weak and those that end on a strong or weak upbeat are upbeat. [31]