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"Dammit" (sometimes subtitled "Growing Up") is a song by American rock band Blink-182, released on September 23, 1997, as the second single from the group's second studio album, Dude Ranch (1997). Written by bassist Mark Hoppus , the song concerns maturity and growing older.
Dude Ranch is the second studio album by American rock band Blink-182, released on June 17, 1997, by Cargo Music and MCA Records, making it their major record label debut. MCA signed the band in 1996 following moderate sales of their 1995 debut Cheshire Cat and their growing popularity in Australia.
The American rock band Blink-182 has recorded songs for nine studio albums, as well as numerous extended plays. This list comprises the band's recorded catalog, as well as live renditions, early demo tracks, and recorded appearances on other albums. Blink-182 formed in Poway, a suburb of San Diego, California in 1992.
"Dammit" The second single from the band's sophomore album, "Dammit" was its first big hit. It's been over 20 years since it released and the song is still a staple of any Blink-182 setlist.
Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the song's lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything's Gonna Be Fine
Rock band Blink-182 hasn’t exactly grown up, at least on stage, but that might be a blessing. ... And Hoppus tagged “Dammit” with Taylor Swift’s “We Are Never Ever Getting Back Together ...
The items auctioned off included the original lyrics sheet to the group's hits "The Rock Show" and "Adam's Song", Bad Religion autographed cymbal, hand-painted 1.5 FT tall Bunny, blink-182 tour backstage pass, stickers, postcard/magnets, trading cards, the band's dressing room sign from the 2000 VMAs, and Hoppus orange sweater from the "Dammit ...
"All the Small Things" is a song by American rock band Blink-182. It was the second single and eighth track released from the band's third album, Enema of the State (1999). ). The track was composed primarily by guitarist and vocalist Tom DeLonge as an ode to his then girlfri