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Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
Gainsborough's self-portrait of 1754. Thomas Gainsborough was about twenty-three when he painted Mr and Mrs Andrews in 1750. He had married the pregnant Margaret Burr and returned to Sudbury, Suffolk, his home town as well as that of the Andrews, after an apprenticeship in London with the French artist Hubert-François Gravelot, from whom he learnt the French rococo style.
Gainsborough also practiced pure landscape painting, where he developed a style of simplifying the scenery, of nonspecific and theatricalized description, and of altering its basic colors and sense of perspective, artificialisms typical of the Rococo, besides having left behind important work in the field of portraiture. [46]
This is a Toad-themed reproduction of Gainsborough's oil painting The Blue Boy. [19] The Blue Boy painting is a heavily-used prop in the 1929 Laurel and Hardy comedy Wrong Again. The painting is also referenced in the movie Coraline as a portrait in the Pink Palace's hearth room.
Pages in category "Paintings by Thomas Gainsborough" This category contains only the following page. This list may not reflect recent changes. T.
The Blue Boy by Thomas Gainsborough, c. 1770. Oil on canvas 70 in × 48 in (180 cm × 120 cm) Pinkie owes part of its notability to its association with the Gainsborough portrait The Blue Boy. According to Patricia Failing, author of Best-Loved Art from American Museums, "no other work by a British artist enjoys the fame of The Blue Boy."
The oil on canvas painting measures 219.7 × 153.7 cm (86.5 × 60.5 in). [14] The depiction of full-figure portraits in nature was a speciality of 18th-century English artists, especially Gainsborough who delighted in painting landscapes; Elizabeth with her love for the English countryside was the ideal model for him. [10]
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