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The latter interpretation seems unlikely, however, given the presence of the four, almost identical, lines describing the sand in another poem "To ——," which is regarded as a blueprint for "A Dream Within a Dream" and preceding its publication by two decades. [3]
Pearl (Middle English: Perle) is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and from the dream vision genre, the poem is written in a North-West Midlands variety of Middle English and is highly—though not consistently—alliterative; there is, among other stylistic features, a complex ...
The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The ‘vision’ addresses these waking concerns through the possibilities of the imaginative landscapes offered by the dream-state.
The framing device is the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (lines 1–27), the second part (lines 28–121) and the third part (lines 122–156). [1]
The House of Fame (Hous of Fame in the original spelling) is a Middle English poem by Geoffrey Chaucer, probably written between 1374 and 1385, making it one of his earlier works. [1] It was most likely written after The Book of the Duchess , but its chronological relation to Chaucer's other early poems is uncertain.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
The centrepiece of Seeing Things, "Squarings", is a four-part lyric with 48 poems, [i] each containing 12 lines, within each part. [31] Jefferson Hunter described in 1992 the poem sequence as "familiarly domestic" [ 31 ] and remarked the poetry present as more literary than in the preceding volumes. [ 5 ]
"Harlem" (also known as "A Dream Deferred") [2] is a poem by Langston Hughes. These eleven lines ask, "What happens to a dream deferred?", providing reference to the African-American experience. It was published as part of a longer volume-length poem suite in 1951 called Montage of a Dream Deferred , but is often excerpted from the larger work.