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El Greco (1541–1614) was a Cretan-born painter, sculptor and architect of the Spanish Renaissance. El Greco left his birthplace for Venice in 1567, never to return. El Greco's three years in Venice profoundly influenced his style. In 1577, he emigrated to Toledo, Spain, where he lived and worked until the end of his life.
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
The anatomy of the human body becomes even more otherworldly in El Greco's mature works; for The Immaculate Conception (El Greco, Toledo) El Greco asked to lengthen the altarpiece itself by another 1.5 ft (0.46 m) "because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure". A significant ...
The same scholar believes that in El Greco's mature works "the devotional intensity of mood reflects the religious spirit of Roman Catholic Spain in the period of the Counter-Reformation". [1] El Greco often produces an open pipe between Earth and Heaven in his paintings. The Annunciation is one example of this spiritual conduit being present ...
The two were known to own eight original works by El Greco, [5] as well as eighteen works depicting hermits. [6] The Allegory of the Camaldolese, however, was probably the only painting that they expressly commissioned from El Greco, showing their commitment to Fray Juan de Castañiza's project and their continuing support of the artist. [5]
Pages in category "Paintings by El Greco in the Museo del Prado" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes .
The Burial of the Count of Orgaz (Spanish: El Entierro del Conde de Orgaz) is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his time.
Between 1581 and 1585, the demand for devotional works escalated rapidly. [5] His customers could choose from a few samples, often smaller versions of his works, which he then altered to their preferences. El Greco later became the master of a workshop which dealt with the creation of architectural and framing devices for cathedrals.