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Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
It is not easy to trace out the origins of the Telugu folk literature, for that matter any folk literature.It is as difficult as tracing the origin of a language. In other words, one can argue that the origin and existence of any folk literature can be a parallel phenomenon along with that language, because the folk expressive traditions of any ethnic group are much earlier than the language ...
The poems of Udayasri will live in Telugu Literature as long as Telugu is spoken in this land, and as long as Krishna, Godavari, Tungabadra and Suvarnamukhi rivers flow in this land. - Dr. Nanduri Rama Krishnamacharyulu Karunasri is the only poet who reflects the pulse of the Telugu people in his poetry after the great Bammera Potana.
[citation needed] So high was the regard for Vemana that a popular Telugu saying goes 'Vemana's word is the word of the Vedas'. [citation needed] He is celebrated for his style of Chaatu padyam, a poem with a hidden meaning. [citation needed] Many lines of Vemana's poems are now colloquial phrases of the Telugu language.
Suka-Rambha Samvadamu (1893–1894) is translation into Telugu from the poets' own work of the same name in Sanskrit. Buddha Caritramu, 1899–1900; Vairagya Sataka of Appaya Dikshita, 1899–1900; Bala Ramayana of Rajasekhara, [2] 1901–1912; Mudra Rakshasa of Vishakhadatta, 1901–1912; Mrichchakatika of Shudraka, 1901–1912
The art form was developed particularly by Telugu poets in medieval times. [1] It involves the partial improvisation of poems using specific themes, metres, forms, or words. [2] There is a tradition of mentoring in Avadhanam. The best avadhanis have contributed to the oeuvres of Telugu and Kannada poetry.
Traditionally, Telugu literary works were written in a highly stylistic language with complicated words and meter; these works could only be understood by the educated elite. Gurajada's mission was to reach out to the masses, so he broke with tradition (he called the literary dialect "doubly dead" in his preface) and wrote in the vibrant and ...
His work Vasucharitra is the most renowned for its use of Slesha, or double meaning. These poems were later imitated by many Telugu poets including Chemakura Venkata Kavi. Similar to Pingali Surana, he also wrote a dvayarthi (double entendre) work called Harischandra Nalopakhanam. Each poem of story narrates to life of the kings Harischandra ...