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National Lampoon's Vacation, sometimes referred to as simply Vacation, is a 1983 American black comedy road film directed by Harold Ramis and starring Chevy Chase, Beverly D'Angelo, Imogene Coca, Randy Quaid, John Candy, and Christie Brinkley in her acting debut with special appearances by Eddie Bracken, Brian Doyle-Murray, Miriam Flynn, James Keach, Eugene Levy, and Frank McRae.
A short film entitled Auntie Edna was released in Autumn 2018 with the film's digital, DVD and Blu-ray release of Incredibles 2. In a similar manner to Jack-Jack Attack, the short follows Edna during the events of Incredibles 2 as she babysits Jack-Jack while coping with his newly discovered powers.
Edna "E" Mode [1] [2] [3] is a fictional character in Pixar's animated superhero film The Incredibles (2004) and its sequel Incredibles 2 (2018). She is an eccentric fashion designer renowned for creating the costumes of several famous superheroes, having worked particularly closely with Mr. Incredible and Elastigirl (Bob and Helen Parr), with whom she has remained friends.
Edna "E" Mode is an eccentric fashion designer who designs the costumes for many members of the superhero community. To that end, not only does she take the aesthetics of the clothes into account, but also their practical uses such as protective qualities and accommodation to the powers of the wearer.
The film follows Clark's attempt at delivering "the most fun-filled old-fashioned family Christmas ever". As Clark's parents, aunt, and uncle, Ellen's parents, and Catherine and Eddie's family begin arriving early, he becomes obsessed with ensuring that everything goes right.
Blending evocative archival footage, audio (Jessie Buckley reads her letters and diaries) and new talking-head interviews (including with the likes of Gabriel Byrne, as well as O’Brien herself ...
This is a scrappy but often hilarious screen version of the Private Eye comic strip, with Barry Crocker escorting his Aunt Edna Everage through England's grottiest highways and dirtiest byways, and ending with Humphries "flashing his nasty" in front of Joan Bakewell on a late-night TV show.
[8] Auntie Mame became the second highest-grossing film of 1958, earning a net profit of $8,800,000. [9] The movie premiered at the Radio City Music Hall, and Bosley Crowther of The New York Times wrote that "for all its absurd exaggerations and bland inconsistencies, this picture of a tireless party-giver is a highly entertaining thing to see ...
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