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The Ancient Greek term for a mask is prosopon (lit., "face"), [16] and was a significant element in the worship of Dionysus at Athens likely used in ceremonial rites and celebrations. Many masks worshipped the higher power, the gods, making masks also very important for religion.
A typical representation of the comedy and tragedy masks The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts . Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters ...
The Mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. [6] Following his discoveries at the site, Schliemann notified King George of Greece. [7] He is supposed to have told the king in a telegraph, "I have gazed upon the face of ...
The use of masks in dance in the West traces back to ancient Greece. Grecian dancers would use masks for religious rituals to embody Dionysus and Appollo. [1] In Greek theaters, masks are used to enhance the drama of tragedy and comedy, illustrated by kordax, a mask dance of comedy characterized of uninhibited lasciviousness. [2]
The figure on the left is wearing a mask and a second mask is lying on the ground between them. The masks represent a female and they have a kerchief around the hair on the mask. Their costumes also include female clothing such as high boots and a chiton. Ceramic Athenian Pelike. Phiale Painter. Ancient Greek. Around 430 BCE. [1]
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The so-called 'Mask of Agamemnon', a 16th-century BC mask discovered by Heinrich Schliemann in 1876 at Mycenae, Greece, National Archaeological Museum, Athens The word "mask" appeared in English in the 1530s, from Middle French masque "covering to hide or guard the face", derived in turn from Italian maschera, from Medieval Latin masca "mask, specter, nightmare". [1]
Attempts have been made in modern times to investigate the use of masks in Athenian tragedy through practice research. [8] These explorations conclude that masks may lead to a more demonstrative style of acting, with declamatory delivery of the lines substituted for intimacy. They also found that the mask could impede the projection of sound.