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  2. Damping (music) - Wikipedia

    en.wikipedia.org/wiki/Damping_(music)

    Floating is the technique where a chord is sustained past a sixteenth note rather than that note being scratched, the term referring to the manner in which the right hand "floats" over the strings rather than continuing to scratch.

  3. Merton (YouTuber) - Wikipedia

    en.wikipedia.org/wiki/Merton_(YouTuber)

    Merton is an American YouTube musician and personality who first gained press attention in March 2010 after making videos of himself interacting with people he met on Chatroulette and Omegle. In the videos, Merton sits at a piano and improvises songs about either his observations of the people he is meeting or story ideas suggested by them.

  4. Float (song) - Wikipedia

    en.wikipedia.org/wiki/Float_(song)

    Tim Neufeld stated that "Float" was the first song of the band's that "perfectly communicated the vibes we live by". [3] He described floating as "possibly the oldest and most universally enjoyed leisure activity there has ever been," adding that collaborating with Rodney Clawson and Allen Salmon was "all of my dreams coming true".

  5. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  6. Used To - Wikipedia

    en.wikipedia.org/wiki/Used_To

    The music video for "Used To" was directed by Robin Kempe-Bergman, produced by Robinovich and released on 15 November 2018. [4] Cavazza and Elliotte worked on the video clip for over a year, filming footage and taking pictures across Europe in cities including Oslo, London and Paris. Cavazza said "We wanted to make the video as relatable and ...

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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