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The Nurse is a bawdy comic character, and a confidante of Juliet, in Romeo and Juliet. The Nurse helps to deliver Aaron's son to Tamora, in Titus Andronicus. Aaron murders her. Nym (fict) is a follower of Sir John Falstaff in The Merry Wives of Windsor, and a companion of Pistol and Bardolph in Henry V.
An 1870 oil painting by Ford Madox Brown depicting Romeo and Juliet's famous balcony scene. In the beginning of the play, Romeo, the male protagonist, pines for an unrequited love, Rosaline. To cheer him up, his cousin and friend Benvolio, and Mercutio, the Prince's nephew, take him to the Capulets' celebration in disguise, where he meets and ...
A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.
The play arguably equates love and sex with death. Throughout the story, both Romeo and Juliet, along with the other characters, fantasise about it as a dark being, often equating it with a lover. Capulet, for example, when he first discovers Juliet's (faked) death, describes it as having deflowered his daughter. [43]
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
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Three sonnets are found in Romeo and Juliet: The prologue to the play ("Two households, both alike in dignity…"), the prologue to the second act ("Now old desire doth in his death-bed lie…"), and set in the form of dialogue at the moment when Romeo and Juliet meet:
For Hazlitt, the essence of Romeo and Juliet is Shakespeare's portrayal of the love that comes with "the ripening of the youthful blood"; [212] and with that love the imagination of the youthful lovers is stirred to dwell not so much on present pleasure but "on all the pleasures they had not experienced. All that was to come of life was theirs.