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Blues music influenced Halloween songs such as "I Put a Spell on You". [3] In the 1950s and 1960s, various doo-wop groups, groups influenced by blues music, began to release novelty Halloween-themed songs. "Monster Mash" is an example of such a novelty doo-wop Halloween song. Despite its Halloween themes, doo-wop Halloween music from this era ...
"Rubber Biscuit" is a novelty doo-wop song performed by the vocals-only team the Chips, who recorded it in 1956. It was covered by the Blues Brothers on their 1978 debut album, Briefcase Full of Blues, among many other artists, [1] as well as being featured in the 1973 film Mean Streets.
I Need You (Paris Hilton song) I Really Love You; I Want You (Janet Jackson song) I Won't Say (I'm in Love) I Wonder Why; I'm on the Outside (Looking In) I'm So Young; In My Room; In the Still of the Night (The Five Satins song) It's Still Rock and Roll to Me; It's Too Late (Carole King song) It's Too Soon to Know
Download these best Halloween songs for your party. Check out our list of everything from classic Halloween songs to creepy tunes from beloved movies and shows.
Here, see 13 of the best Halloween-themed songs to get in a scary mood this spooky season, according to a PEOPLE staffer.
As an alias of The Mothers of Invention, Ruben and the Jets played doo-wop [2] and experimental pop songs. [8] Although the Mothers of Invention's "Jets" recordings generally tried faithfully reproduce the sound of 1950s doo-wop and rock and roll, [2] the arrangements included quotes from Igor Stravinsky pieces and unusual chord changes and tempos.
Good news: Our roundup of Halloween music for kids—complete with classic rock hits, nostalgic '80s jams and kid-driven tunes that will put a spell on everyone (tantrum-prone toddler included ...
Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.