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The Fatimids used a green standard, as well as white. The Saudi Emirate of Diriyah used a white and green flag with the shahadah emblazoned on it. Various countries in the Persian Gulf have red flags, as red represents nationalism. The four Pan-Arab colours, white, black, green and red, dominate the flags of Arab states. [2] [3]
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available.. Abbas Mirza Mosque, Yerevan; Abbey Mills Mosque
the center emblem is a stylized form of the Arabic word Allah and its five parts represent the Five Pillars of Islam; the red and green bands bear the Takbir [8] Flag of Iraq the white band bears the Takbir [ 9 ]
Andrew Petersen, a scholar of Islamic art and archeology, states that ablaq (alternating courses of white limestone and black basalt) is "a characteristic of the monumental masonry of Damascus." [8] Ablaq stonework on the Alaeddin Mosque in Konya (13th century)
This page is subject to the extended confirmed restriction related to the Arab-Israeli conflict. This page is subject to the extended confirmed restriction related to the Arab-Israeli conflict. The Palestinian version of the keffiyeh The Palestinian keffiyeh is a distinctly patterned black-and-white keffiyeh. White keffiyehs had been traditionally worn by Palestinian peasants and bedouins to ...
Islamic calligraphy has also displayed figurative themes. Examples of this are anthropomorphic and zoomorphic calligrams. [40] Islamic calligraphy forms evolved, especially in the Ottoman period, to fulfill a function similar to figurative art. [41] When on paper, Islamic calligraphy is often seen with elaborate frames of Ottoman illumination. [41]
Islamic tradition states that the Quraysh had a black liwāʾ and a white-and-black rāya. [4] It further states that Muhammad had an ʿalam in white nicknamed "the Young Eagle" (العقاب, al-ʿuqāb); and a rāya in black, said to be made from his wife Aisha's head-cloth. [5] This larger flag was known as the Eagle. [6]
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
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