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Kuchisake-onna (口裂け女, 'Slit-Mouthed Woman') [1] is a malevolent figure in Japanese urban legends and folklore. Described as the malicious spirit, or onryō, of a woman, she partially covers her face with a mask or other item and carries a pair of scissors, a knife, or some other sharp object. She is most often described as a tall woman ...
De Groot describes popular exorcising processions as "noisy, and even amusing, agreeably breaking the monotony of daily life" on the last day of the year, with boys wearing ghost-masks of old and young people and numerous gods and spirits, men dressed in costumes of fearsome door gods to scare away evil spirits, and male and female wu-shamans ...
Durga, Parvati, Saraswati and incarnations of the Goddess are categorised under the nari or women masks, while bird masks are for Jatayu, peacock, swan, etc. [3] [7] A typical bir mask showing the face of a demon. A nari mask showing the face of Durga. A mask showing the Hindu deity Ganesha. The distinguishing feature is the trunk.
The mask that represents a woman who has become a demoness is hannya, and hannya is also called chūnari or nakanari (中成) in contrast to namanari. [3] The mask that represents a demoness who becomes even more furious and looks like a snake is a jya (蛇), meaning 'snake', and the one that is even more furious is shinjya (真蛇), meaning ...
Battoulah (Arabic: بطوله, romanized: baṭṭūleh; Persian: بتوله), also called Gulf Burqah (Arabic: البرقع الخليجي), [1] [note 1] is a metallic-looking fashion mask traditionally worn by Khaleeji Arab and Bandari Persian Muslim women in the area around the Persian Gulf.
Eharo mask, Elema culture, Papua New Guinea, acquired by the Museum of Toulouse in 1882. Eharo masks (literally "dance head" or "dance mask") were a type of mask used by the Elema people of the eastern Gulf of Papua as part of the "hevehe" cycle of masked rituals. [1] These masks were crafted from barkcloth, vegetable fiber, and various ...
Women generally do not wear masks in West Africa, but in this region the most numerous and most important wood masks are produced for use by women for the Sande. Several types of masks, some in wood but many made of leather, fur, and cloth, are used in conjunction with the counterpart male initiation society, the Poro.
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...