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" Wir glauben all an einen Gott" (We all believe in one God) is a Lutheran hymn, a paraphrase of the creed, by Martin Luther and first published in Johann Walter's chorale hymnal Eyn geystlich Gesangk Buchleyn. [1]
Hal and Loretta borrowed the song sheet from Dr. Orr and brought it home and gave it to their father. [ 24 ] Their father was Vernon 'Tim' Spencer (13 July 1908 – 26 April 1974), [ 25 ] [ 26 ] a converted cowboy, and former member of The Sons of the Pioneers , who had founded the newly established Manna Music of Burbank , California in 1955.
This page was last edited on 13 February 2009, at 12:33 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Ik Onkar is the statement of oneness in Sikhism, that is 'there is one God'. [20] [21] According to Wendy Doniger, the phrase is a compound of ik ("one" in Punjabi) and onkar, canonically understood in Sikhism to refer to the "absolute monotheistic unity of God". [9]
The melody is also used in the hymns "Go My Children With My Blessing” (text by Jaroslav Vajda, 1983), “God That Madest Earth and Heaven” (1827) and "Father in your Love Enfold Us [3]". The song is highly popular with traditional Welsh male voice choirs , and is sung by them at festivals in Wales and around the world.
The exclusion of all but one god and the prohibition of idols was a radical departure from Egyptian tradition, but most scholars see Akhenaten as a practitioner of monolatry rather than monotheism, as he did not actively deny the existence of other gods; he simply refrained from worshiping any but Aten.
True Grit: Original Motion Picture Soundtrack is a soundtrack to the 2010 film of the same name. True Grit is the 15th Coen brothers film scored by long-time collaborator Carter Burwell . The Coens discussed the idea of using 19th-century church music, "something that was severe (sounding).
"Pray to God" is a house song. [1] According to the sheet music published at MusicNotes.com, it is written in the key of G minor. It has a tempo of 126 bpm. [2] Daniel Kreps of Rolling Stone said the song recalled Fleetwood Mac-esque harmonies. [3]
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