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Printed Tile Art. Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
Glass was used in mosaics as early as 2500 BC, but it was not until the 3rd century BC that innovative artisans in Greece, Persia, and India created glass tiles.. Whereas clay tile is dated as early as 8,000 BC, there were significant barriers to the development of glass tile, including the high temperatures required to melt glass and the complexities of annealing glass curves.
Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. [2] Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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