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Franklin Booth (July 18, 1874 – August 25, 1948) was an American artist known for his detailed pen-and-ink illustrations. He had a unique illustration style based upon his early recreation of wood engraving illustrations with pen and ink. His skill as a draftsman and style made him a popular magazine illustrator in the early 20th-century.
This is the book that inaugurated the Cranford School. The 1898 Cranford, online at the British Library. This edition replacing some of the original 1891 pen and ink illustrations by Thomson with coloured illustrations by him. Hugh Thomson collection at Mount Holyoke Special Collections; Hugh Thomson collection at Coleraine Museum Archive
Rackham's illustrations were chiefly based on robust pen and India ink drawings. Rackham gradually perfected his own uniquely expressive line from his background in journalistic illustration, paired with subtle use of watercolour, a technique which he was able to exploit due to technological developments in photographic reproduction.
Pen and ink illustration Joseph Clement Coll (July 2, 1881 – October 19, 1921) was an American book and newspaper illustrator . He was known for his pen and ink story illustrations that were used to illustrate adventure stories such as Conan Doyle's Sir Nigel .
Wrightson spent seven years drawing approximately 50 detailed pen-and-ink illustrations. [1] The book includes an introduction by Stephen King and from Wrightson himself. The illustrations themselves are not based upon the Boris Karloff or Lee films, but on the actual book's descriptions of characters and objects. [1]
John Rea Neill (November 12, 1877 – September 19, 1943) was a magazine and children's book illustrator primarily known for illustrating more than forty stories set in the Land of Oz, including L. Frank Baum's, Ruth Plumly Thompson's, and three of his own. [1] His pen-and-ink drawings have become identified almost exclusively with the Oz ...
Wrightson spent seven years drawing approximately 50 detailed pen-and-ink illustrations to accompany an edition of Mary Shelley's novel Frankenstein. The illustrations themselves are not based upon the Boris Karloff or Christopher Lee films, but on the actual book's descriptions of characters and objects. [23]
He used pen and ink for The Cricket in Times Square, the Rescuers books, Charlotte's Web, and Stuart Little. The Giant Golden Book of Elves and Fairies, a 1951 anthology, is noteworthy for Williams' extensive use of colored pencil. In the Golden Books and Little Golden Books, he favored oil pastels, ink washes, and watercolor.