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This book is [the work of] don Michael of Northgate, written in English in his own hand, that's called: Remorse of Conscience. And in a postscript, Ymende. þet þis boc is uolueld ine þe eve of þe holy apostles Symon an Iudas / of ane broþer of þe cloystre of sanynt Austin of Canterburi / ine þe yeare of oure lhordes beringe 1340.
But Fraser's Magazine found the poem "consummately lovely", with an epic dignity to its characters, [64] and the Monthly Repository's reviewer saw it as "a beautiful completion and building up into an entire unity of the author's two former poems...While, as in all Wordsworth's compositions, the power of the scenery is over every verse, the ...
Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
"Remorse for Intemperate Speech" is a poem written by Irish poet William Butler Yeats. It appeared in his 1933 volume of poems The Winding Stair and Other Poems. Yeats wrote this poem in August 1931. The contents speaks about the fanatic feelings and the capacity for hatred a person can feel in the dark part of the heart.
The origin of this poem is alluded to by Burns in one of his letters to Frances Dunlop: "I had an old grand-uncle with whom my mother lived in her girlish years: the good old man was long blind ere he died, during which time his highest enjoyment was to sit and cry, while my mother would sing the simple old song of 'The Life and Age of Man'". [1] "
The Giaour is a poem by Lord Byron first published in 1813 by John Murray and printed by Thomas Davison. It was the first in the series of Byron's Oriental romances. The Giaour proved to be a great success when published, consolidating Byron's reputation critically and commercially.
"Apologia Pro Poemate Meo" is a poem by Wilfred Owen.It deals with the atrocities of World War I.The title means "in defence of my poetry" and is often viewed as a rebuttal to a remark in Robert Graves' letter "for God's sake cheer up and write more optimistically - the war's not ended yet but a poet should have a spirit above wars."
The collection of poems contemplate infatuation, intimacy, loss, and grief. It is said that Siken's main inspiration was the death of his boyfriend in the early 1990s. [2] The opening poem, Scheherazade (the title references to the character from One Thousand and One Nights) intimates inevitability and is foreboding in its tone. It positions ...