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Juice (Original Motion Picture Soundtrack) is the soundtrack album to Ernest Dickerson's 1992 crime film Juice. It was released on December 31, 1991, through SOUL/MCA Records and consists mainly of hip-hop and R&B music. [8] The album peaked at number 17 on the Billboard 200 and number 3 on the Top R&B/Hip-Hop Albums in the United States.
"6 Kiss" is a song by American rapper Trippie Redd featuring fellow American rappers Juice Wrld and YNW Melly. It was released from as a track from the former's fourth commercial mixtape A Love Letter to You 4 on November 22, 2019. The song was written alongside producers Nick Mira and Taz Taylor.
Red lipstick is a popular kind of lipstick.The term may also refer to: "Red Lipstick", a song by Rihanna from Talk That Talk "Red Lipstick", a song by Nomo, a band that included David Batteau
"Graduation" is a song by American music producer and DJ Benny Blanco and American rapper Juice Wrld. [1] The song is based on Vitamin C's 2000 hit "Graduation (Friends Forever)". [2] The song was released on August 30, 2019, and is the second collaboration between the artists since "Roses" in December 2018, which also featured Brendon Urie. [1]
The iTunes Store accessed via a mobile phone, showing Pink Floyd's eighth studio album The Dark Side of the Moon (1973). A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone.
"Juice" is a song recorded by American singer and rapper Lizzo. It was released on January 4, 2019, by Atlantic Records as the lead single from her third and debut major-label studio album, Cuz I Love You. [4] The single was written by Lizzo, Theron Thomas, Sam Sumser, Sean Small and Ricky Reed; the latter also handled the song's production.
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"Juice" is a midtempo song, built around a loop of Donny Hathaway's live performance of "Jealous Guy" by John Lennon. [1] Chance the Rapper sings and raps in a comedic manner; [2] [3] his verses in the song have been described as having a "freewheeling, bluesy sway" that "gives way to raucous call-and-response choruses". [4]