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Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard, [17] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen ...
The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
While adapted from the novella and using much the same artwork of the graphic video series, the comic also contains additional scenes and information providing a fuller story, such as, the fate of the Ackermans, revealing N.'s full name and who spoke it to him in the field, who was responsible for giving N. the key and further expanding on ...
"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).
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The Three Impostors; or, The Transmutations is an episodic horror novel by Welsh writer Arthur Machen, first published in 1895 in The Bodley Head's Keynotes Series. It was revived in paperback by Ballantine Books as the forty-eighth volume of the Ballantine Adult Fantasy series in June 1972.
Born in National City, California, United States, he attended the University of Colorado, where he gained a Ph.D. for a thesis on Welsh writer Arthur Machen. His enthusiasm for Machen led him to publish a valuable biography of the author based on his earlier thesis and, with Adrian Goldstone, a Machen bibliography. He played an important part ...
Hallorann's death in the film adaptation of The Shining is seen as being one of the first movies to start the trope of "The Black Guy Always Dies First In Horror Movies". This is a trope that recognises the fact that African-American or minority characters often do not survive horror movies, and are sometimes the first to be killed off.