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Afonja of Ilorin was the "Are-Ona-Kakanfo", or chief military leader, of the Oyo Empire. Laderin, the great-grandfather of Afonja, was the founder of Ilorin city. [ 1 ] [ 2 ] He was succeeded by his son, Pasin, a powerful warrior who became a threat and target to, Basorun Gaha , because of his rising profile. [ 1 ]
Afonja, being bound by an oath and also desirous not to fall under a curse from a previous Alaafin made to the effect that any Aare Ona Kakanfo who attacked Iwere-Ile (his paternal home) was to die miserably, refused to comply. A further cause was given in 1795, when Awole ordered Afonja to attack the market town of Apomu, a part
Oyo, Oyo State, is the seat of the line of the rulers of Oyo.Their territory, a constituent rump state, is located in what is now Nigeria.Since the 1900 political absorption into Southern Nigeria of the kingdom that it once served as a metropolitan center, the traditional monarchy has been either a tool of British indirect rule or a legally recognised traditional polity within the republic of ...
The Palace of Aare Latoosa in Ibadan. Obadoke Latoosa Oyatoosa (c. 1820s - 1885), but more commonly referred to as Latoosa (or Latosisa), and later Mohammed Obadoke Latoosa, [1] was a Yoruba General, Warlord, and Chief who was the Aare Ona Kakanfo of the Oyo Empire, the ruler of the self proclaimed Ibadan Empire, [2] and the commander and leader of the Western forces of Ibadan during the ...
For some time, Ilorin was a major center of the slave trade, described by Richard Henry Stone as the "largest slave market in that part of Africa". [4] Most Yorubas in Ilorin were still pagan, which lead to most being subjects to the Emir, who "had little social upheaval, who most secretly desired to free themselves, from the Fula". [5]
The Sinhala script is a Brahmi derivate and was thought to have been imported from Northern India around the 3rd century BCE. [5] It developed in a complex manner, partly independently but also strongly influenced by South Indian scripts at various stages, [ 6 ] manifestly influenced by the early Grantha script . [ 3 ]
Bhuvanekabahu VI of Kotte (Sinhala: සපුමල් කුමාරයා, romanized: Sapumal Kumārayā, Tamil: செண்பகப் பெருமாள், romanized: Ceṇpakap Perumāḷ), also known as Sapumal Kumaraya or Yudistra Darma Dorai and Chempaka Perumal, was an adopted son of Parakramabahu VI.
The work of Chief Hubert Ogunde (sometimes referred to as the "father of contemporary Yoruban theatre") was informed by the Aláàrìnjó tradition and Egungun masquerades. [7] He founded the first professional Nigerian theatre company in 1945 and served in many roles, including playwright, in both English and Yoruba.