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The M/84 is a derivative of the Flecktarn B pattern produced by the German firm Marquardt & Schulz. [1] Using the same shapes and pattern, the number of colours was changed from 5 to 3 – choosing olive green, light green and black to better match the colouration of the Danish woodland environment. [2] M84 pattern
Clara Wæver: Embroidered panel depicting Wayside flowers Cross-stitch patterns by Clara Wæver. Born in Stubbekøbing on the island of Falster on 7 April 1855, Clara Wæver was the daughter of Christian Pedersen Wæver (1821–1905), a skipper, and his wife Hanne Elizabeth Fester (1827–1913). The family name stemmed from her great ...
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REX, the online database of the Royal Danish Library provides access to catalogues and digital resources including paintings and photographs. Some facilities are restricted by login (for Danish citizens only). [13] Bibliotek.dk, providing access to the titles of books throughout the Danish public library system, sometimes with short ...
Following Operation Safari, Danish uniforms were appropriated by the German army. [28] The Danish Army was relegated to the Danish Brigade in Sweden, where the received equipment from the British and Swedish. [28] [25] This meant that the Danes would wear the British Battledress as the combat uniform, which was called the M/44.
The basic research on Freehand Lace was made by Bodil Tornehave of Denmark, and published in her book Danske Frihåndskniplinger (ISBN 87-7490-291-1, Danish Freehand Lace) in 1987. [ 3 ] 'Freehand lace' is sometimes confused with ' free lace ', which is a modern, artistic form of lace.
Nota, or the Danish Library and Expertise Center for people with print disabilities [1] (Danish: Nationalbibliotek for mennesker med læsevanskeligheder), is a state-run library under the Danish Ministry of Culture that produces audiobooks, e-books and Braille books for people who cannot read ordinary printed text.
Marie Christine Mathea Gudme Leth (5 October 1895 – 17 December 1997) was a Danish textile printer who pioneered screen printing for industrial production. In 1941, she opened her own workshop where she first concentrated on prints of flowers and animals before turning to more geometrical designs.