Search results
Results from the WOW.Com Content Network
Generically speaking, this means a 2× anamorphosis lens with 4-perf negative pulldown for both image origination and projection, and an aspect ratio of 2.35:1 until 1970 (requiring special, narrow "negative assembly" splices) and 2.39:1 after 1970 (using conventional "negative assembly" splices). The change from 2.35:1 to 2.39:1 (sometimes ...
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
When Moment announced an anamorphic lens, it really caught my attention. After all, the film Tangerine was shot on an iPhone 5S using an anamorphic lens from Moondog Labs, so I was excited to try ...
Orion Series - 2x anamorphic lenses for film and digital use, which cover the Super 35 mm format. The lineup currently consists of 12 lenses, ranging from 18 mm to 200 mm. They are designed to emulate Panavision's C-series. Mercury Series - 1.5x anamorphic lenses for use with full-frame (VistaVision) sized sensors. The lineup currently consists ...
This first lens was a two-section detachable monobloc unit, consisting of a 50mm f / 2.8 taking lens, and a 1.5× horizontal stretch focusable anamorphic adapter. The original Iscoramas were discontinued at the end of the 1970s, by which point in time ISCO had released the Cinegon C-Mount Cine lens, plus the Iscorama 36 and Iscorama 54 screw-in ...
Original, Anamorphic and letterbox. Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution.
More complex anamorphoses can be devised using distorted lenses, mirrors, or other optical transformations. An oblique anamorphism forms an affine transformation of the subject. [2] Early examples of perspectival anamorphosis date to the Renaissance of the fifteenth century and largely relate to religious themes. [3]
Four lens options covered a 128, 64, 48 or 37 degree field of view. The aspect ratio of this format was 2.20:1. Todd-AO (5-perf) 70 mm negative frame dimensions. Both film sizes had been used in the past, in the 70 mm Fox Grandeur process in 1929–1930, but Todd-AO's physical format was not compatible with this format.