Search results
Results from the WOW.Com Content Network
The department was created on August 14, 1973. This department's main purpose is to create jobs, promote Excise and Taxation growth, encourage sustainable development and improve standards of living for all citizens of Khyber Pakhtunkhwa. The department is currently headed by Minister Khaliq-ur-Rehman.
Aag TV (replaced by Geo Kahani) MTV Pakistan (replaced by Indus Music) The Musik (replaced by ARY Musik) Oxygene TV (shut down in July 2021) Play TV (Pakistan) (replaced by Play Max, now known as Play Entertainment) VH1 Pakistan (shut down in 2009)
The department was created on August 14, 1973. This department's main purpose is to create jobs, promote Industrial growth, encourage sustainable development and improve standards of living for all citizens of Khyber Pakhtunkhwa. The department is currently headed by Secretary Sajjid Khan.
This page was last edited on 14 February 2025, at 06:55 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Hum Pashto 1 is a Pakistani Pashto satellite television station in Pakistan.The channel broadcasts 24 hours a day, providing variety of shows, dubbed Urdu Hum TV dramas to Pashto language and entertainment programs to the Pashtun population of Pakistan.
Khyber TV, formerly known as AVT Khyber, is a Pashto-language satellite television channel in Pakistan, which was launched in July 2004. It is Pakistan’s first Pashto language television channel. It is Pakistan’s first Pashto language television channel.
The channel was founded by Muhammad Aslam Kazi in 2002 and started with 6 hours of transmission. [2] It has now grown from a small regional-language channel to the leading Satellite Channel of Pakistan, broadcasting 24 hours a day to areas of South Asia, Middle, and Far East Asia.
A pivotal moment in the history of television in Pakistan occurred in the year 2002 with the liberalisation of the media industry. [6] This transformative development marked a departure from the previously tightly controlled landscape, ushering in a new era of diversity, competition, and expanded opportunities for broadcasters. [7]