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Unlike early CD-ROM drives, optical disc recorder drives have generally used industry standard connection protocols. Early computer-based CD recorders were generally connected by way of SCSI ; however, as SCSI was abandoned by its most significant users (particularly Apple Computer ), it became an expensive option for most computer users.
Home recording is the practice of recording sound in a private home instead of a professional recording studio. A studio set up for home recording is called a home studio or project studio. Home recording is widely practiced by voice actors, narrators, singers, musicians, podcast hosts, and documentary makers at all levels of success.
A DVD recorder is an optical disc recorder that uses optical disc recording technologies to digitally record analog or digital signals onto blank writable DVD media. Such devices are available as either installable drives for computers or as standalone components for use in television studios or home theater systems .
The home recorders typically had two tone arms, one for recording and the other for playback, and a red light to indicate recording was taking place. One problem with the process was the "string" of cut material that followed the recording tone arm as the groove was cut.
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
It could play stereo quarter-track tapes but record only in one quarter-track mono. Home equipment with missing features were fairly common in the 1950s and 1960s. For home use, simpler reel-to-reel recorders were available, and a number of track formats and tape speeds were standardized to permit interoperability and prerecorded music.
Home video was born, initially, as a rental business. [13] Film studios and video distributors assumed that the overwhelming majority of consumers would not want to buy prerecorded videocassettes, but would merely rent them. They felt that virtually all sales of videocassettes would be to video rental stores and set prices accordingly. [14]
In 1956, his brother, Tomoma Tani, brought home a hand-made, 3-motor, 3-head stereo tape recorder. This sparked Katsuma's interest in reel-to-reel tape recorders. Confident they could engineer a better tape recorder, the Tani brothers founded the Tokyo Electro-Acoustic Company on 24 December 1956.
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