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Đông Hồ painting is the exclusive product of the Đông Hồ village, a craft village located on the left bank of the Đuống River in Bắc Ninh Province, about 35 km from Hanoi. [ 1 ] [ 4 ] Craftsmen in the village often produce their own raw materials for the making such as điệp paper and natural colours.
The origin of Kim Hoàng painting was dated back to the 18th century during the reign of the Lê dynasty.The pictures were made in the Kim Hoàng village, now in Hoài Đức (), [3] which was one of the few place where folk paintings were made in Vietnam during the dynastic time, along with Hàng Trống, Đông Hồ and Sình village. [4]
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
Gặp nhau cuối năm (The Year-End Reunion) is a Vietnamese annual satirical comedy that is broadcast across all channels of the Vietnamese national broadcaster Vietnam Television (VTV) on Tết Nguyên Đán, and has been produced by the Vietnam Television Film Center (VFC) since 2003.
A playing mat for Bầu cua cá cọp Gambling board with Vietnamese đồng notes used for gambling. Dice used in Bầu cua cá cọp. Bầu cua cá cọp (lit. ' gourd crab fish tiger '; also Bầu cua tôm cá or Lắc bầu cua) is a Vietnamese gambling game using three dice. [1] [2] The game is often played at Vietnamese New Year.
Lạc Long Quân ("Dragon King of Lạc", also known as Sùng Lãm) is an ancient king of the Hồng Bàng dynasty of ancient Vietnam.Quân was the son of Kinh Dương Vương, the king of Xích Quỷ.
Ta Cu Mount (Vietnamese: Núi Tà Cú) is a mountain located off of National Route 1 in the town of Thuận Nam, Hàm Thuận Nam District. Ta Cu Mountain is 28 km west of Phan Thiết city, in Bình Thuận Province, Nam Trung Bộ, Vietnam. The average temperature at the summit ranges from around 18 to 22 °C.
A typical Tam quan of folk architecture Tam quan of Thượng Temple (built in the style of Láng Temple) A Tam quan (chữ Hán: 三關) or Tam môn (chữ Hán: 三門) is a style of traditional gateway symbolic of Vietnamese Buddhism. It has three aisles (traditionally, the middle aisle is the largest and the two side aisles are smaller).