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Shoji paper sliding doors in the Rinshunkaku at Sankei-en (Important Cultural Property) Shoji doors next to the tokonoma alcove, Rinshunkaku A tatami room surrounded by paper shoji (paper outside, lattice inside). The shoji are surrounded by an engawa (porch/corridor); the engawa is surrounded by garasu-do, all-glass sliding panels.
Most people marbleized the walls or the woodwork. Also on walls it was common to score into wet plaster to make it resemble blocks of stone. Finishes that were either marbleized or grained were frequently found on doors and woodwork. "Graining" was meant to imitate woods of higher quality that were more difficult to work.
Bed-mould or bed moulding: Narrow moulding used at the junction of a wall and ceiling, found under the cornice, of which it is a part. [2] Similar to crown moulding, a bed mould is used to cover the joint between the ceiling and wall. Bed moulds can be either sprung or plain, or flush to the wall as an extension of a cornice mould. [3]
A commemorative plaque, or simply plaque, or in other places referred to as a historical marker, historic marker, or historic plaque, is a plate of metal, ceramic, stone, wood, or other material, bearing text or an image in relief, or both, to commemorate one or more persons, an event, a former use of the place, or some other thing. Most such ...
A muntin (US), muntin bar, glazing bar (UK), or sash bar is a strip of wood or metal separating and holding panes of glass in a window. [1] Muntins can be found in doors, windows, and furniture, typically in Western styles of architecture. Muntins divide a single window sash or casement into a grid system of small panes of glass, called "lights ...
Major Western collections hold many objects of widely varying materials with Islamic geometric patterns. The Victoria and Albert Museum in London holds at least 283 such objects, of materials including wallpaper, carved wood, inlaid wood, tin- or lead-glazed earthenware, brass, stucco, glass, woven silk, ivory, and pen or pencil drawings. [55]
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